Rattan Corner Wall Shelves, Mid-Century Modern, Attributed to Audoux-Minet, French, circa 1950

Rattan corner wall shelves. French work attributed to Adrien Audoux and Frida Minet (Audoux-Minet). Circa 1950.

H. 72 cm × W. 46.5 cm × D. 46.5 cm

Réf : 50's-63003

DETAILS DU PRODUIT

Period 1940–1950
Dimensions (cm) 72 x 46.5 x 46.5 cm
Dimensions (in) 28.35 x 18.31 x 18.31 inch
Style Mid-Century Modern
Materials Rattan

DESCRIPTION DU PRODUIT

Though Audoux-Minet are best known for their lighting — their rope lamps and rattan chandeliers have become among the most recognisable objects of postwar French natural-fibre design — the pair also produced a body of furniture and storage objects that extended their material philosophy into the realm of domestic organisation. These rattan corner wall shelves, measuring seventy-two centimetres in height and forty-six in each depth, exemplify this side of their practice: a piece conceived not to illuminate a space but to inhabit it, to hold the accumulated objects of domestic life within a structure of woven natural fibre that transforms the purely functional into something quietly beautiful.

The corner shelf is one of the most architecturally sensitive furniture types, required to negotiate the intersection of two planes and make of that typically overlooked junction a point of interest rather than a problem. In the Audoux-Minet approach, the rattan weave serves this purpose with characteristic intelligence: the material’s natural warmth softens the angular geometry of the corner; the open woven structure allows the piece to read as part of the room rather than as an object placed against it. At forty-six centimetres in each direction, the shelves offer generous depth for the display of books, ceramics, or decorative objects without projecting unduly into the room.

Attributed examples of Audoux-Minet furniture — as distinct from their lighting — are significantly rarer on the market than the lamps and chandeliers that first made their reputation. The pair’s furniture production was smaller in scale and less widely documented; corner shelves of this type survive in smaller numbers than their more celebrated pendants. For the collector building a body of Audoux-Minet work, or seeking to furnish a room in the authentic mid-century French natural-materials aesthetic, a piece of attributed furniture of this quality represents an exceptional rarity.

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