Black Lacquered Pineapple Table Lamp, in the Style of Maison Charles, circa 1970

Black lacquered and gilded metal pineapple table lamp, French work in the style of Maison Charles, circa 1970. W. 30 cm × D. 30 cm × H. 62.5 cm

Réf : 50's-59788

DETAILS DU PRODUIT

Period 1970–1980
Dimensions (cm) 30 x 30 x 62.5 cm
Dimensions (in) 11.81 x 11.81 x 24.61 inch
Style Mid-Century Modern
Materials Gilded Metal

DESCRIPTION DU PRODUIT

This striking pineapple table lamp in black lacquered and gilded metal is one of the most expressive objects of its kind — a form so laden with decorative history that even a contemporary audience reads it immediately as a symbol of luxury and hospitality. Rising to sixty-two and a half centimetres from a square base of thirty centimetres, it presents a precise sculptural silhouette: the lacquered black ground absorbs the surrounding light, while the gilded scales of the pineapple's body catch and reflect it in a pattern of warm, luminous points. The contrast — matte black against glittering gold — is at once dramatic and refined.

The pineapple has carried symbolic weight in Western decorative arts since the seventeenth century, when the fruit was so rare and costly in Europe that it was passed between banquet tables as a centrepiece, hired by those who could not afford to buy it. Adopted as a mark of wealth and hospitality by architects, silversmiths, ceramicists, and cabinetmakers alike, it appeared as a gate finial, a porcelain motif, a silversmith's form. By the mid-twentieth century this tradition was revived with new energy by the Hollywood Regency movement and by the great Parisian ateliers. Maison Charles was among the most celebrated interpreters of the pineapple lamp, producing versions in various metals and finishes that became collectors' objects in their own right.

A lamp of this character asserts itself in any interior. Its black and gold palette connects it to the chinoiserie tradition — lacquerwork screens, gilded consoles, japanned cabinets — while its sculptural presence gives it the authority of a garden ornament transplanted indoors. Equally at home in a maximalist salon and in a carefully restrained contemporary space, it is one of those rare objects that brings the room into focus around it. For the collector of French mid-century decorative arts, or for the decorator seeking a centrepiece of wit and grandeur, it is a piece of extraordinary character.

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