DETAILS DU PRODUIT
| Period | 1970–1980 |
|---|---|
| Dimensions (cm) | 32.5 x 32.5 x 45.5 cm |
| Dimensions (in) | 12.80 x 12.80 x 17.91 inch |
| Style | Mid-Century Modern |
| Materials | Leather |
DESCRIPTION DU PRODUIT
This compact and precisely proportioned desk lamp in brown leather and brass belongs to the tradition of the bibliothèque française — the furnished study, the working desk surrounded by leather-bound books, the armchair beside a brass reading stand. At thirty-two and a half centimetres square and forty-five and a half centimetres tall, it is conceived for the most intimate of scales: a lamp designed to cast its light over a specific surface, to accompany a particular chair, to be the light of a particular mind at work. The leather-wrapped body and the brass fittings are consistent throughout, giving the object a unity and completeness characteristic of the finest pieces in this tradition.
Jacques Adnet, whose idiom this lamp evokes, developed his distinctive vocabulary of leather-wrapped furniture and lighting from a conjunction of sources: the grand tradition of the French maroquinerie — the craft of luxury leatherwork practiced by the great Parisian houses of luggage, saddlery, and glove-making — and his long association with Hermès, where he served for many years as artistic director before establishing his own practice. In Adnet's hands, leather ceased to be merely an upholstery material and became a structural and aesthetic choice: a material that aged with use, that carried the memory of the hand, and that placed the object in a continuum between the artisan's workshop and the user's daily life.
Brown leather, in particular, rewards time and use in ways that black does not. New, it is warm and amber; over years of handling, it develops a patina of deepening tones, acquiring character as it acquires wear. A desk lamp in this material is not simply purchased — it is adopted, and it becomes more itself with use. Set on a writing table beside a stack of books, a letter-opener, and a well-chosen paperweight, it occupies its place with settled authority. For the collector of French mid-century design and fine leather objects, it is a piece of quiet and enduring distinction.
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