DETAILS DU PRODUIT
| Period | 1970–1980 |
|---|---|
| Dimensions (cm) | 32.5 x 32.5 x 55 cm |
| Dimensions (in) | 12.80 x 12.80 x 21.65 inch |
| Style | Mid-Century Modern |
| Materials | Rattan |
DESCRIPTION DU PRODUIT
This rattan table lamp presents an eloquent simplicity: its round body — woven from cane in a globe-like form that suggests both the traditional lantern and the full moon — is crowned by a shade wound from natural rope, the twisted fibres creating a texture that diffuses light with warmth and intimacy. The marriage of rattan and rope is a pairing of complementary natural materials, each with its own vocabulary of craft — one woven, one knotted — that together produce an object entirely at home in a sun-drenched interior, on a verandah, or in the warmest corner of a modern living room. At 55 centimetres tall it is compact enough to serve as a bedside or accent lamp.
Adrien Audoux (1900–1980) and Frida Minet (1914–1999) were the great poets of natural fibre in twentieth-century French design. Meeting in Paris in the 1930s, they developed over the following decades a body of work — furniture, lamps, and decorative objects in rope, rattan, and braided natural cord — that stood apart from both the dominant tubular metal aesthetic of Modernism and the heavy historicism of period reproduction. Working from their Parisian atelier, they supplied some of the most distinguished interior decorators of postwar France: their pieces appeared in the work of Jean Royère and Henri Samuel, and were exported internationally as emblematic objects of the French craft sensibility. The delicate, organic, handmade quality of their production proved enduringly influential, prefiguring the natural materials movements of the 1970s and the slow-living aesthetic of the contemporary interior.
Rattan lamps in the Audoux-Minet manner occupy a privileged position in today’s market, where natural materials, craft provenance, and organic form are among the most sought-after qualities. This round lamp — its form both ancient and timeless, its materials speaking of hand and sun and shore — brings warmth to any interior without imposing. It works as well beside a bed as on a low side table, in a beach house as in a considered urban apartment. The rope shade, filtering the bulb’s light through its interstices, casts a pattern of shadow and warmth that makes even the most neutral room feel inhabited.
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